45 years including 26 years in the rap game, 6 albums under the effigy of Boogie Down Productions , 14 solo albums, an album with Marley Marl and another with Buckshot, that's the testament that rappologique KRS-One forwarded to generations watered Hip-Hop. So why, this rap fanatic and senior rhyme continues to struggle as he has nothing left to prove? To forever mark the movement? To get the rap up? The answer is rather vague because if Teacha boasts of being the guardian of true Hip-Hop, the qualitative result of recent demonstrations remains anecdotal. But now The Blastmaster seems constantly in need of challenge and increased collaborative project demonstrates a desire to return to the top but not yet successful (logic also vis-à-vis the poor quality of his latest releases ). So in this reconquest KRS-One crosses the path of True Master producer affiliated with the Wu Tang and experienced a boom in the 90 to fall into anonymity qualitative at present. Therefore risky bet for KRS-One that focuses on the injured animal to a burst of pride that will make Meta-Historical her hello.
Hard to give a real translation of this title without the listener back to the work of Dr. Fearon , let's just say the word philosophy is emotional. In short, complex his wallet, this new collaboration from the outset seems loser. And after an introduction soporific Murder Ya just hit the Tampines with animal aggression. KRS-One seems unrecognizable killer uncompromising while True Master distills a poison in a dark sound comparable in its infancy. The a priori negative evaporates and the certainty of falling into a pattern is established very aggressive revival. If the length of the album, True Master , comfortable apart from its production boom baps Minimalist, makes a copy more than clean it remains quite frustrated lack of risk taking that its level would allow it. Best example Palm & Fist or Gimme Da 90's gives efficient rendering but completely banal. Conversely One Two, Here's What We Gon 'Do, Knowledge Reigns Supreme, Street and Rhymer He's Us renewed the genre with intelligence. Note the very good performance of a True Master converts the mic He's on Us (really in tune with his instrument) and Knowledge Reigns Supreme .
But the real winner of this experience remains KRS-One . Refreshed and willing to do battle, KRS-One is like a fish in water in this musical universe. Benefits top flight despite a reflective approach rather perched even incomprehensible ( Unified Field ) KRS-One found a second life and leads his guests in the same direction (providing RZA on Here's What We Gon 'Do brings an undeniable and even Cappadonna on Rhymer Street plays the game). The aging of the elite rap in the heart of the news report, urged the audience to doubt compatibility between age and yet maintaining the flow from the top of its 45 years Kris Parker blow to the critics wrong by delivering a near perfect work.
In the end we simply blame a real lack of ingenuity on this album and especially a number of skits unnecessary but possible a view of all the album demonstrates a real strength. The comeback did not happen by Meta Historical but the way is open and hope, often broken by a fatalism ambient, new news. It is on the announcement of the imminent release Project Godsville with the eminence grise of DITC Showbiz (and E-Blaze frenchie ) will be followed very closely ...
15/20
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