Friday, October 22, 2010

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Rah Digga - Classic (2010)



If rap was subject to the requirement of parity, the accumulation of fines would be sent directly to jail or bankrupt ... Yet suspicions of femininity that have interfered here and there over the years both in the model "bitch" assumed to and Lil 'Kim Foxy Brown or through conscious feminist activism to Bahamadia and Lauryn Hill . Yet for a while the female mc radius remains empty despite some tests John Gray or recently Eternia. The return of the prodigal daughter Rah Digga after a big miss on their second album was never released an excuse to revive the style. Behind this small size hides surely the best mc rap. Uncompromising and aggressive as a mc overflowing with testosterone made in underground Rah Digga never gets into details discharging its share of rabies in texts very well written and a controlled flow from beginning to end. Impatient of this output, we note nevertheless some restraint because indeed the Dirty Harriet completely left the production Nottz. If the beatmaker can boast a CV well supplied in its collaborations, he never managed to achieve unanimity. As far back two former stables of the Flipmode Squad on an album stirs curiosity. So after ten years with no concrete plans for Rah Digga and a certain suspicion Nottz this Classic can he go to Rah Digga acclaim?

history to spice the game, Rah Digga decided to call Classic Album which, as Album Of The Year of Black Milk, plays on the double meaning of the word. What titillate any listener of rap, yet it becomes clear very quickly that the reference has nothing to do with the status of the album. Clearly, the album floats along in the past by the very full-bodied bass line and drums that Nottz particularly fond.

So what about this album? Very hard to position themselves on a consistent opinion, neither perfect nor bad Classic remains what kind of album that you listen to the end taking really fun but take more frustration despite a more than reasonable qualitative result. First, the level of Rah Digga the mic is just top flight Who Gonna Check Me Boo and Solidified , the miss is far from having lost its superb but what was touted as a brake is realized . Far from wanting to cut a short Nottz which has repeatedly proven its capabilities, it still feels a remedy to cross over to Nottz reaches just musically Rah Digga but after more than 10 years to run its bump, we can not bet on such developments. Yet the beatmaker struggled in delivering a varied musical palette: the electrifying Straight Spittin ' IV and his guitar, drums and flute on forced This Is not No Little Kid Rap , a 70's funk tinged on Solidified old-school rap or 80's on Viral , Nottz possible exploits to his repertoire with professionalism without convincing. Too bad for the little spark that will fire this cake is never far away. Finally, the homogeneity of all this suffocating Classic so bring out one or more tracks the album is hardly lost. With only 10 tracks, there is a sense of unfinished on the bottom.

Rah Digga back on the front of the stage and his presence is a reminder that there is no need to be an intelligent man to kick the mic . If the album does not mark the year 2010, Nottz Rah and we offer a beautiful moment rap Boom Bap. Just hope Rah Digga find the production to suit him for the next music releases.


14/20



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